Does the gin still cling when you scratch your skin?
The smell of gin appealing to the senses. The old tin bucket I have has a hole it it and therefore the gin would leak onto the floor, spilling out. This, I hoped would make the scent of gin spread further around the studio.
After doing some samples, I decided to make three dresses and these were my initial ideas-
1. A dress made of gold lace (black lace sprayed gold, which still showed black subtly), peacock feathers, (which are unlucky) and black fringing (flapper girl connotations).
I decided this dress would be quite fragile, with fabrics in places, signifying nakedness, vulnerability, and hinting at promiscuity.
I decided this would be stitched together with red thread, symbolising danger, as though danger was running through the dress.
These are quite glamorous fabrics and I decided this dress would be used in connection with my "washing line" being soaked in gin and draped over the side of a bucket.
2. Red silk, combined with plain canvas, combining glamour and plainness, past life and current life. This concept later changed to be a dress made out of red silk and a man's shirt. I decided the silk would be heated with hot irons and soaked in earth. This was to explore the idea of damage (or damaging memories) and HEAT.
I HAD A THOUGHT I COULD MAKE A MATERNITY DRESS
Does your belly ache for baby?
3. A dress of all patchwork scraps of fabric joining together. Could be a maternity dress with a small baby dress displayed with it, same fabric. A box made of thorns around it, cords trying to attach the two.
Black lace maternity dress? Suggests mourning? Red ribbons, umbilical cords attached/not attached to christening shoes?
Here are some photographs of my initial ideas and of samples, and of me making up the pattern, extending the pattern of a top on baking paper.
Dress number 1.
Dress number 2.
Pattern making
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